Dr Linda Dankworth

Its principal focus is an analysis of the Mallorquin folk dance repertoires including the bolero, jota, fandango, and bullanguera. During the course of my research, I undertook the first training course of the Ethnochoreology/Dance Analysis7.5 CreditCourse – DANS2011 (60, ECTS) Norwegian University of Science and Technology (NTNU). (ICTM Study Group on Ethnochoreology Intensive Training Course) in November, 2003. I am a member of the International Council for Traditional Music (ICTM) Study Group on Ethnochoreology, and a member of Congress on Research in Dance (CORD).

Publications:

-2014. ‘Embodying Cultural Identities and Creating Social Pathways through Mallorquin Dance’, in L. E. Dankworth and A. R. David (eds), Dance Ethnography and Global Perspectives: Identity, Embodiment, and Culture. Basingstoke, Hampshire: Palgrave Macmillan.

-2014. ‘The State of the Festival: Performing Politics and Cultural Exchange’, in E. I. Dunin, and C. E. Foley (eds), Dance, Place, Festival: 27th Symposium of the ICTM Study Group on Ethnochoreology. The Irish World Academy of Music and Dance. University of Limerick, Ireland. July 23rd – 29th, 2012.

– 2013. ‘Embodying Mallorquiness through Performitivity and Narration of Mallorquin Dance’, in K. Meethan and H. J. Andrews (eds), Journal of Tourism Consumption and Practice. Vol 5, No.1: 34 – 48.

-2012. ‘Embodied Translations of Mallorquin Dance and the Influence of Romantic Ideology as a Process in the Production of Cultural Heritage’, in E. I. Dunin, A. Giurchescu and C. Konczei (eds), From Field to Text: Translations and Representations: 24th Symposium of the ICTM Study Group on Ethnochoreology. 17 – 23 July 2006. Tranzit House, Centre for Contemporary Art and Culture, Cluj-Napoca, Romania.

-2011. ‘A Retrospective of Mallorquin Dance during the Sección Femenina (Women’s Division of the Falange Party, 1939-1975 and their continuing legacy in Mallorca’, in H. Rottenberg and L.E. Dankworth (eds), Dance Voices (an online journal of dance) http://www.dancevoices.com/

-2009. ‘Performing Culture and Identity: Constructing Heritage through Dance and Tourism’, in M. A. Md Nor, E. I. Dunin and A. von B. Wharton, Transmitting Dance as Cultural Heritage and Dance and Religion: 25th Symposium of the ICTM Study Group on Ethnochoreology. 11-17 August2008. Kuala Lumpur, Malaysia.

-2007. ‘Improvisation as an Embodied Practice of Mallorquin Dance’, in A. C. Albright, D. Davida, and S. D. Cordova (eds), Re-Thinking Practice and Theory: CORD and SDHS Conference, June 21-24 2007. Le Centre de National de la Danse, Paris, France.

-2001. ‘IX World Folk Dance Festival Mallorca’, Dance Europe. Vol.42. p.54.

-2000. ‘Technology as a Choreographic Tool: On Virtuality and its Representation in Random Dance Company’s “Trilogy”. Dance Today. Israel. November.

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